• Isola Bella from the Isola dei Pescatori, Lake Maggiore -

    Signed and dated 1865 lower right
    watercolour over pencil heightened with bodycolour
    24 by 35cm., 9 1/2 by 13 3/4 inches

    Lake Maggiore is the westernmost of the three Italian Lakes. The present watercolour is taken from the Isola dei Pescatori or Isola Superiore, one of the Borromean Islands which are situated on the western arm of the lake. As its name suggests, it was and still is a fishing village. Through the arch is visible Isola Bella, the most famous and most visited of the islands. It is named after Isabella, Countess Borromeo - between 1650 and 1671, Vitaliano Borromeo built a summer palace on the island which still exists today alongside its famous terraced gardens.
  • View on a North Italian Lake -

    Signed and dated 1882 lower left

    watercolour heightened with bodycolour

    13.7 by 22.4cm., 5 1/4 by 8 3/4 inches


    Leitch visited Italy in 1833 paid for by a stockbroker and client Mr Anderden. He remained there until July 1837. On his return he built up a successful practice as a drawing master, his pupils including Queen Victoria.

  • A Windmill by a Country Road -

    Signed and dated 1856 lower left

    Watercolour over pencil heightened with bodycolour

    22.5 x 35.6 cm., 8 ? x 14 inches

  • A Sailing Boat on a River -

    Watercolour over pencil heightened with touches of bodycolour

    20.2 by 33 cm., 8  by 13 inches



    With Colnaghi, London, circa 1950 (A15760)

  • Landscape with Trees -

  • Landscape with Tower -

  • Cottage at Craigleith near Edinburgh -

    With studio stamp lower left and inscribed: Edin.r Nov.r 3d 1856 and inscribed on old backing: Craig Leith

    Watercolour over pencil heightened with bodycolour on oatmeal paper

    21.7 by 32.1 cm., 8 by 12 in.


    Born in Glasgow, he was apprenticed to a lawyer before turning to painting in the early 1820s. He painted scenery at the Theatre Royal, Glasgow from 1824 to 1826 before moving to London in about 1828. In 1833 he was given the money by a patron, the stockbroker Mr Anderden, to visit Italy and the continent. On his return in July 1837 he set up a successful drawing practice numbering Queen Victoria and other members of the Royal Family among his pupils.

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